![]() “It started at seven o’clock,” Perry recounted. The first session, on Jwas the longest session in the history of the Los Angeles musicians’ union. “I brought her everything from Joni Mitchell, Randy Newman, just a real assortment of contemporary songs at its best.”ĭuring several studio dates in 1970, all sessions produced by Richard Perry. “She loved the material I played for her,” Richard Perry recollected. Everybody was saying, ‘Well, how are you going to get along with her?’ I said, ‘Two Jews from Brooklyn, you can’t go far wrong.’ In any event, we met, and we hit it off immediately. Barbra had been planning on doing another album at the time called The SingerĪnd Clive asked her to put it aside to consider working with this new, young producer, i.e. He thought it was great, so he set up the meeting. So, Clive told me to get some material together, which I did. “I told Clive Davis who was the president of Columbia Records at the time that I would very much like to have the opportunity to take a shot with Barbra. But I felt very strongly that I could do it with her,” Perry explained. “I realized when I heard the What About Today?Īlbum that she hadn’t. Richard Perry was a renowned record producer who crafted number one singles for Harry Nilsson, Carly Simon and Ringo Starr. ![]()
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